Auld Lang Syne
"Auld Lang Syne" (Scots pronunciation: [ˈɔːl(d) lɑŋˈsəin]: note "s" rather than "z") is a Scots-language poem written by Robert Burns in 1788 and set to the tune of a traditional folk song (Roud # 6294). It is well known in many countries, especially in the English-speaking world, its traditional use being to bid farewell to the old year at the stroke of midnight on New Year's Eve. By extension, it is also sung at funerals, graduations, and as a farewell or ending to other occasions. The international Scouting movement in many countries uses it to close jamborees and other functions.
The poem's Scots title may be translated into standard English as "old long since" or, less literally, "long long ago", "days gone by", or "old times". Consequently, "For auld lang syne", as it appears in the first line of the chorus, might be loosely translated as "for the sake of old times".
The phrase "Auld Lang Syne" is also used in similar poems by Robert Ayton (1570–1638), Allan Ramsay (1686–1757), and James Watson (1711), as well as older folk songs predating Burns. Matthew Fitt uses the phrase "in the days of auld lang syne" as the equivalent of "once upon a time" in his retelling of fairy tales in the Scots language.
Robert Burns sent a copy of the original song to the Scots Musical Museum with the remark, "The following song, an old song, of the olden times, and which has never been in print, nor even in manuscript until I took it down from an old man." Some of the lyrics were indeed "collected" rather than composed by the poet; the ballad "Old Long Syne" printed in 1711 by James Watson shows considerable similarity in the first verse and the chorus to Burns' later poem, and is almost certainly derived from the same "old song".
To quote from the first stanza of the James Watson ballad:
Should Old Acquaintance be forgot,
and never thought upon;
The flames of Love extinguished,
and fully past and gone:
Is thy sweet Heart now grown so cold,
that loving Breast of thine;
That thou canst never once reflect
On old long syne.
On old long syne my Jo,
On old long syne,
That thou canst never once reflect,
On old long syne.
It is a fair supposition to attribute the rest of the poem to Burns himself.
Singing the song on Hogmanay or New Year's Eve very quickly became a Scots custom that soon spread to other parts of the British Isles. As Scots (not to mention English, Welsh and Irish people) emigrated around the world, they took the song with them.
The song begins by posing a rhetorical question: Is it right that old times be forgotten? The answer is generally interpreted as a call to remember long-standing friendships. Alternatively, "Should" may be understood to mean "in the event that"(expressing the conditional mood) referring to a possible event or situation.
Most common usage of the song involves only the first verse and the chorus. The last lines of both of these are often sung with the extra words "For the sake of" or "And days of", rather than Burns' simpler lines. This allows one note for each word, rather than the slight melisma required to fit Burns' original words to the melody.
The "singable" English version given here keeps the Scots phrase "auld lang syne" rather than translating it as "long long ago" or something like that - see the second paragraph of this article for a full explanation of this phrase.
|Burns' original Scots verse||Standard English version
|Scots pronunciation guide
(as Scots speakers would sound)
|IPA pronunciation guide|
(Burns' own Ayrshire dialect)
Should auld acquaintance be forgot,
Should old acquaintance be forgot,
Shid ald akwentans bee firgot,
ʃɪd o̜ːld ə.kwɛn.təns bi fəɾ.ɡot
- syne = "since" or "then" – pronounced like "sign" rather than "zine"
- dine = "dinner time"
- ch = voiceless velar fricative, /x/, at the back of the mouth like /k/; similar to "Bach" in German
English composer William Shield seems to quote the "Auld Lang Syne" melody briefly at the end of the overture to his opera Rosina, which may be its first recorded use. The contention that Burns borrowed the melody from Shield is for various reasons highly unlikely, although they may very well both have taken it from a common source, possibly a strathspey called "The Miller's Wedding" or "The Miller's Daughter". The problem is that tunes based on the same set of dance steps necessarily have a similar rhythm, and even a superficial resemblance in melodic shape may cause a very strong apparent similarity in the tune as a whole. For instance, Burns' poem "Comin' Thro' the Rye" is sung to a tune that might also be based on the "Miller's Wedding". The origin of the tune of "God Save the Queen" presents a very similar problem and for just the same reason, as it is also based on a dance measure. (See the note in the William Shield article on this subject.)
In 1855, different words were written for the Auld Lang Syne tune by Albert Laighton and titled, "Song of the Old Folks". This song was included in the tunebook, Father Kemp's Old Folks Concert Tunes published in Boston, Massachusetts, in 1860. For many years it was the tradition of the Stoughton Musical Society to sing this version in memory of those who had died that year.
Songwriter George M. Cohan quotes the first line of the "Auld Lang Syne" melody in the second to last line of the chorus of “You're a Grand Old Flag”. It is plain from the lyrics that this is deliberate; the melody is identical except the first syllable of the word "forgot".
In the Sacred Harp choral tradition, an arrangement of it exists under the name "Plenary". The lyrics are a memento mori and begin with the words "Hark! from the tomb a doleful sound". Another Christian setting, using the name "Fair Haven" for the same tune, uses the text "Hail! Sweetest, Dearest Tie That Binds" by Amos Sutton. The melody can also be used to sing "All Glory be to Christ", (Lyrics by Dustin Kensrue as performed by the group Kings Kaleidoscope). In a similar vein, in 1999 Cliff Richard released a setting of the Lord's prayer (as "The Millennium Prayer") to the familiar melody.
Since 2007, the melody has been used as an introduction to the mass chorus of "America the Beautiful" that is played by the twelve finalist corps at the Finals Retreat at the Drum Corps International World Championships. "Auld Lang Syne" and "America the Beautiful" have the same (very common) metre, so that the lyrics can be sung interchangeably.
At New Year
"Auld Lang Syne" is traditionally sung at the conclusion of New Year gatherings in Scotland and around the world, especially in English-speaking countries.
At Hogmanay in Scotland, it is common practice that everyone joins hands with the person next to them to form a great circle around the dance floor. At the beginning of the last verse, everyone crosses their arms across their breast, so that the right hand reaches out to the neighbour on the left and vice versa. When the tune ends, everyone rushes to the middle, while still holding hands. When the circle is re-established, everyone turns under the arms to end up facing outwards with hands still joined.
In countries other than Scotland the hands are often crossed from the beginning of the song at variance with Scottish custom. The Scottish practice was demonstrated by Queen Elizabeth II at the Millennium Dome celebrations for the year 2000. Some press outlets berated her for not "properly" crossing her arms, unaware that she was correctly following the Scottish tradition.
Other than New Year
As well as celebrating the New Year, "Auld Lang Syne" is very widely used to symbolise other "endings/new beginnings" – including farewells, funerals (and other memorials of the dead), graduations, the end of a (non-New Year) party, jamborees of the Scout Movement, the election of a new government, the last lowering of the Union Jack as a British colony achieves independence and even as a signal that a retail store is about to close for the day. The melody is also widely used for other words, especially hymns, the songs of sporting and other clubs, and even national anthems such as the Provisional Government of Korea’s anthem. In Scotland and other parts of Britain, in particular, it is associated with celebrations and memorials of Robert Burns. The following list of specific uses is far from comprehensive.
In the English-speaking world
- In Scotland, it is often sung at the end of a cèilidh, a dance, and at weddings. At weddings, it is performed in the same way as at New Year, but the bride and groom are often lifted up in the centre of the circle.
- The tune is played, and sung by the crowd, in the final stages of the annual Edinburgh Military Tattoo.
- In many Burns Clubs, it is sung at the end of the Burns supper.
- In Great Britain, it is played at the close of the annual Congress (conference) of the Trades Union Congress. It is also usually the final song of the Liberal Democrat Glee Club.
- The song is sung at the end of the Last Night of the Proms. Depending on whether an "official" performance is planned it may not be listed on the programme but in this case the audience will maintain the tradition and sing it themselves, with or without backup from the performers.
- The song is played at the Passing Out Parade of Young Officers in the Royal Navy as they march up the steps of the Britannia Royal Naval College; for Royal Air Force officers at Royal Air Force College Cranwell, and at the Sovereign's Parade at the Royal Military Academy Sandhurst for young officers joining the British Army, as the cadets march up the steps of their famous Old College building – to the beat of the slow march, after the tune "Will ye no come back?". This custom (or something very like it) is also followed in Naval and Military colleges in many other countries, especially members and former members of the Commonwealth of Nations. Examples include the Royal Military College of Canada, the Royal Military College (Malaysia), the National Defence Academy (India), the Pakistan Military Academy, Bangladesh Military Academy and at the equivalent colleges in Singapore, Burma and Nigeria.
- The song is very widely used by the international Scout Movement, where it is a popular closing song for jamborees and other occasions.
In non-English-speaking countries
"Auld Lang Syne" has been translated into many languages, and the song is widely sung all over the world. The song's pentatonic scale matches scales used in Korea, Japan, India, China and other East Asian countries, which has facilitated its "nationalisation" in the East. The following particular examples mostly detail things that are special or unusual about the use of the song in a particular country.
- In Denmark, the song was translated in 1927 by the famous Danish poet Jeppe Aakjær. Much like Robert Burns' use of dialect, Aakjær translated the song into Sallingbomål, a form of the Jutlandic dialect often hard for other Danes to understand. The song "Skuld gammel venskab rejn forgo" is an integral part of the Danish Højskole tradition, and often associated with more rural areas and old traditions. Also, the former Danish rock group Gasolin modernised the melody in 1974 with their pop ballad "Stakkels Jim" ("Poor Jim").
- In the Netherlands, the melody is best known as the Dutch football song "Wij houden van Oranje" ("We Love Orange"), performed by André Hazes. The melody is also used for a traditional song sung by members of the student association RKSV Albertus Magnus, located in Groningen.
- In West Bengal and Bangladesh, the melody was the direct inspiration for the popular Bengali folk song "Purano shei diner kotha" ("Memories of the Good Old Days"), composed by Nobel laureate Rabindranath Tagore, and forms one of the more recognisable tunes in Rabindra Sangeet ("Rabindra's Songs"), a body of work of 2,230 songs and lyrical poems that form the backbone of Bengali music.
- In Thailand, the song "Samakkhi Chumnum" ("สามัคคีชุมนุม", 'Together in Unity'), which is set to the familiar melody, and used in similar contexts to other countries. The Thai lyrics are however unrelated to Burns' original words, but are a patriotic song about the King and national unity, so that many Thais are not aware of the song's "Western" origin.
- In Japan, although the original song is not unknown, people usually associate the melody with "Hotaru no Hikari", which also sets completely unconnected lyrics to the familiar tune. "Hotaru no Hikari" is played at many school graduation ceremonies, and at the end of the popular New Year's Eve show NHK Kōhaku Uta Gassen. It is played as background music in various establishments such as bars, restaurants, or department stores in Japan to let the customers know that the establishment is closing soon.
- In South Korea, the song is known as "Jakbyeol" (작별, Farewell) or (less commonly) as "Seokbyeol-ui Jeong" (석별의 정, The Feeling of Farewell). From 1919 to 1945 it served as the national anthem of the Korean exile government and from 1945 to 1948, it was the melody of South Korea's national anthem. The lyrics used then were the same as the current South Korean national anthem.
- Before 1972, it was the tune for the Gaumii salaam anthem of the Maldives (with the current words).
Use in films
The strong and obvious associations of the song and its melody have made it a common staple for film soundtracks from the very early days of "talking" pictures to the present—a large number of films and television series' episodes having used it for background, generally but by no means exclusively to evoke the New Year.
Live and broadcast
- 1939: Guy Lombardo and His Royal Canadians performed it on New Year's Eve for decades until his death in 1977. Several sources credit Lombardo with "popularising" the use of the song, at least in the United States. Lombardo's version is played in Times Square every New Year's immediately following the dropping of the ball.
- 1997: On 30 June, the day before Hong Kong was handed over from the United Kingdom to the People's Republic of China, the tune was played by the silver and pipe bands from the Royal Hong Kong Police Force, at the departure of Hong Kong's 28th and last British Governor, Chris Patten, from his official residence, Government House, Hong Kong
- 2009: On 30 November – St. Andrew's Day – students and staff at the University of Glasgow sang the song in 41 languages simultaneously
- 2015: On 25 March, the song was played with a bagpipe on the transfer of Lee Kuan Yew's body from the Istana to the Parliament House
- 2017: On 31 August, the song was played by the SAF band outside the Istana at the farewell ceremony of former President Tony Tan Keng Yam on the last day of his Presidency that ended after 6 years.
- 2020: On 29 January, the song was sung by members of the European Parliament when the Brexit withdrawal agreement was passed ending the UK's membership of the European Union set for 31 January 2020.
As a standard in music, "Auld Lang Syne" has been recorded many times, in every conceivable style, by many artists, both well-known and obscure.
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|Wikisource has original text related to this article:|
|Wikisource has original text related to this article:|
- Auld Lang Syne score from the Robert Burns website at National Library of Scotland
- Digitised copy of Auld Lang Syne in James Johnson's Scots Musical Museum, printed between 1787 and 1803, from National Library of Scotland. JPEG, PDF, XML versions.
- Auld Lang Syne Sheet Music
- Auld Lang Syne on Russian folk instruments, Quartet Skaz, Moscow.
- McKellar, Kenneth. "Auld Lang Syne (in Scots)" (MP3). Retrieved 28 December 2007.
- Scotland on TV Auld Lang Syne video performance with lyrics
- Article on songs variant perceptions
- The complete poem by James Watson in the National Library of Scotland
- Les Deux Love Orchestra Classic New Year's Eve Version (mp3)
- An Early American "Auld Lang Syne"
- "History of Auld Lang Syne". National Geographic – via YouTube.
- Multiple versions and tunes at The Mudcat Cafe's "Digital Traditions"
- Song of the Old Folks at American Music Preservation.com